Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Une manière de vivre poster

Une manière de vivre 

Colette's life is shattered when her husband dies in a mysterious road accident. This may bring her closer to her daughter Gabrielle, a young bulimic woman who works as a luxury escort. The latter begins to take a strong interest in Joseph, a Belgian philosophy teacher who is passing through Montreal. She presses him with questions about existence, which scares the specialist from Spinoza, who quickly thinks of going home to find his lover. Except that he is intrigued by this presence and the power it has over him
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Colette's life is shattered when her husband dies in a mysterious road accident. This may bring her closer to her daughter Gabrielle, a young bulimic woman who works as a luxury escort. The latter begins to take a strong interest in Joseph, a Belgian philosophy teacher who is passing through Montreal. She presses him with questions about existence, which scares the specialist from Spinoza, who quickly thinks of going home to find his lover. Except that he is intrigued by this presence and the power it has over him

Rating:
Genre:Drama
Directed By:Micheline Lanctôt
Written By:Micheline Lanctôt
In Theaters:
Box Office:

Runtime:118 minutes
Studio:Lycaon Pictus

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses