The Ghost (2023)
Two Korean sisters must save their family after a ghost tears the family apart.

Françoise breaks up with Jacques after living with him for fifteen years. She's left alone with their three children, a lovely home, and her nursing job at a hospital. Françoise quickly refuses to assume responsibility for this new situation beyond her control. She starts going out, living by night… hanging out in new places, ready for chance encounters.
Two Korean sisters must save their family after a ghost tears the family apart.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.