Incluvie Film Festival Review of 'Sleep No More'
This short film was an overall creative success.

October 2015. French customs seize seven tonnes of cannabis in the heart of the capital. The same day, Hubert Antoine, a former mole with a shady past, contacts Stéphane Vilner, a journalist at Libération. He claims to be able to demonstrate the existence of State drug trafficking led by Jacques Billard, prominent media figure and high-ranking French police officer. Suspicious at first, the young journalist finally dives into an investigation that will lead him to the darkest corners of the Republic.
This short film was an overall creative success.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.