A Lesbian Breakdown of "Honey, Don't!"
It's sexy, regardless of what else is going on.

Andrea (4) and Marina (6) become fast friends while playing on the rooftops of their adjacent buildings during the pandemic in Mexico City. They cling to their precious friendship during the stress and loneliness of confinement. When Marina's parents separate suddenly, however, Marina is heartbroken to have to move away without being able to say goodbye to Andrea, who is equally heartsick until she unexpectedly finds a remnant of their friendship.
It's sexy, regardless of what else is going on.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Shakti’ is a survival guide for women all over the world.
There is no aspect of this film that falls short, except perhaps in minor ways.