"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Susie, a transgender bartender, deals with four patrons who stumble into her place of work. She grows wary of the two men and the two women, the latter of which are underage, and tension begins to mount and escalate between all of the characters.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.