The Truth is….The Good Liar Rocks
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.

After a devastating global audiovisual war, the world is unrecognizable, with influencers, content creators and their unwilling, zombie-like followers emerging as the victors. Traditional cinema is all but extinct, with its defenders persecuted and erased from the digital landscape. But the resistance is not lost. A last group of filmmakers, armed with old cameras and a few meters of film, refuses to surrender. As they fight to reclaim their craft, they must survive in a dystopian world where viral trends are the law and authenticity is a crime.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
A legacy based on the comic strip for old and new fans of Peanuts.