Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

Two construction workers from Istanbul yearn to escape to sunny Italy and find better jobs. In an attempt to save enough money to move, they unwittingly become involved in their boss's shady criminal dealings. With a little twist of unexpected events their lives turns out to be far from anything they have dreamed of.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?