
Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.