'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

A special unit called the Uncut Police is created and is tasked with stopping the censorship by any means necessary. Under the leadership of Mrs. Fulci, the Uncut Police cops—consisting of Joe, Umberto, and Dario—take up the fight against censored media. To finally put an end to the censorship, the three cops must track down and arrest the ominous Ilsa. She is known to reside in the Gray Zone, and on the way there, the three cops are confronted with vengeful martial arts fighters, shipments of heavily censored VHS tapes, kidnapped horror film directors, rare fish, and customers of censored media.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
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