‘Good Will Hunting’ is Good to Watch for Mental Health Month
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen

Two somewhat anachronistic passions occur in the days of Arturo “Tucho” Lazlo: the music from the vast collection of vinyls that rotate on his record player and the paintings that he makes in a collective workshop. The first passion seems logical considering Tucho's current condition: blindness. Painting, on the other hand, is not a task that can be easy for you; on the contrary, it is a challenge taken frame by frame that allows her to relate to the visual universe that a tragic decision has strictly denied her. This film-portrait follows Tucho's daily experiences in his connection with the world, from his art to his discomfort, with a present that evokes a macabre past in the foreground. Without detours and without blurring the specific weight of everyday moments, Andrés Hebegger manages to register the tension and rest, sadness and hope, the banality and genius of Tucho's world, without ever being condescending or mellow, always looking for distance fair.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.