Víctor, Juan, and Manuel, three petty thugs who work for Roselli, a local mobster, are sent to find the architect of a robbery who escaped with the loot. The task seems simple enough, but they find a twist in their plans, caused by a violent and fatal mistake of theirs. Now, with Roselli breathing down their necks and his attempts to remedy the irreparable, they cause a riot with eccentric and violent characters who cross paths in what was the lair of their initial objective, added to the greed for hot money, experimental drugs and shootings, which will become a grave for three.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
