What 'Magnolia' Says About Childhood Trauma
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.

Gianna, a young radio singer, marries Giulio, director of a travel agency. Soon after, they welcome a child. The tranquility of their family life is deeply disturbed by the arrival in Rome of a French tourist, Giselle, who falls madly in love with Giulio. He reciprocates her feelings and becomes her lover. Gianna separates from her husband and devotes her attention to the child, while Giulio begins to live with Giselle. But the thought of his family leads Giulio to ponder severing ties with his lover. Unexpectedly, Giselle's lifeless body is found in Giulio's apartment. Evidence points to Giulio's guilt, so he attempts to escape abroad. Giulio is involved in a car accident close to the border, nearly killing him. In the hospital, it is revealed that Giselle was killed by her former Parisian lover. Healed of his serious wounds, Giulio returns to the affection of his wife and little daughter.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.