Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Un chalet à Gstaad poster

Un chalet à Gstaad 

Françoise and Jean-Jacques Lombard, very wealthy tax exiles whose fortune is based on the inventions of their husbands, are preparing to receive a couple of friends, Alicia and Grégoire Lagarde. He is a daddy's boy industrialist, She is a rich and stupid aristocrat. Everything could well happen if Alicia had not become infatuated with a spiritual coach who accompanies them to dinner. And inevitably, the varnish will end up cracking, especially when the guru will tell them the worst: their fortune is threatened.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Françoise and Jean-Jacques Lombard, very wealthy tax exiles whose fortune is based on the inventions of their husbands, are preparing to receive a couple of friends, Alicia and Grégoire Lagarde. He is a daddy's boy industrialist, She is a rich and stupid aristocrat. Everything could well happen if Alicia had not become infatuated with a spiritual coach who accompanies them to dinner. And inevitably, the varnish will end up cracking, especially when the guru will tell them the worst: their fortune is threatened.

Rating:
Genre:Comedy, Family
Directed By:Arnaud Emery
Written By:
In Theaters:
Box Office:

Runtime:

Studio:Le Théâtre des Nouveautés, Bonne Pioche Télévision

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger