
(Talita Feuser), suffocated in her monotonous routine - sleeps, wakes up, works and, sometimes, helps her mother Amelia (Debora Duarte), shaken by the recent death of her bitch, with daily chores. A strange diagnosis causes Women to confront their own passivity: their organs are disappearing. The medical interest in the subject frightens the patient, who escapes any kind of treatment. The revelation, however, coincides with the arrival of a mysterious new neighbor (Luiza Lamoglia) to the building of Woman. The two give up the tide, cultivating a mutual curiosity and an eventual intimacy; recognition. Woman is torn between her mother and the new inhabitant.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?