Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

A performance by the Spanish theatre company La Fura dels Baus.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."