‘Dog Lover’ Review: Strange and Generic But Witty For the Fetish Community
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.

Alessio Rinaldi, a 25-year-old director, gets the charge from a producer to write the script of his first movie with Ubaldo Terzani, a well-known writer of horror novels. Alessio moves into Terzani's house to start this collaboration, and a strange relationship of psychological dependence grows between them: Ubaldo Terzani unveils his dark side, and Alessio fall in a desperate depth of craziness and nightmares. There is a reason why Terzani's bestsellers are so frightening ... Alessio will discover that reality can be unexpectedly more terrifying than every brainchild, and he will have to fight hard to escape Ubaldo Terzani's jaws.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.