
Tzuriel is 11 years old, looks six, and carries the soul of a 60-year-old. He was born with a rare medical condition that prevents him from eating. Living under constant medical treatment and the shadow of a life-threatening risk, the film observes Tzuriel and his family as they navigate daily survival and the way he discovers the world.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
For those tranquil houses with white fences, what is happening behind every closed door?
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.