TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Symphony for the Devil was recorded Sunday August 22, 1999, at the 12th Bizarre Festival, Cologne, Germany. This gig was originally recorded for a German live-in-concert program, 'WDR Rockpalast', and broadcast on German television. The band bought the live footage because it seemed to be the best one available to date regardless of the previous TV releases. 12 cameras were used.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.