We Don’t Need Another Hero: The Bonkers Post-Apocalypse of “Beyond Thunderdome”
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.

Paul and Rene, two men in their forties weary with life. One a widower, the other is divorced and pays alimony to his ex-wife. They live together, go on vacations together. This last vacation has been a washout and so is their return.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom