'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Two Kinds of Women (1932)
The daughter of a senator from South Dakota visits Manhattan for the first time, eager to see the sights of the big city. While there, she finds herself caught up in an affair with a married man, whose wife soon commits suicide. Complications ensue.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The daughter of a senator from South Dakota visits Manhattan for the first time, eager to see the sights of the big city. While there, she finds herself caught up in an affair with a married man, whose wife soon commits suicide. Complications ensue.
Rating:
Genre:Drama
Written By:Benjamin Glazer
In Theaters:1/16/1932
Box Office:
Runtime:75 minutes
Studio:Paramount Pictures
Cast
William C. deMille
Director
Miriam Hopkins
Emma Krull
Phillips Holmes
Joseph Gresham Jr.
Irving Pichel
Senator Krull
Wynne Gibson
Phyllis Adrian
James Crane
Joyce
Stanley Fields
Harry Glassman
Vivienne Osborne
Helen
Stuart Erwin
Hauser
Josephine Dunn
Clarissa Smith
Robert Emmett O'Connor
Tim Gohagen
June Nash
Mrs. Bowen (uncredited)
Articles You May Like
Inside the 'Diary of a Wimpy Kid: Rodrick Rules'
The sequel to the 2010 live-action movie focuses on sibling rivalry.
“The Way Back”: Sobriety Is Its Own Reward
A man struggling with the death of his son agrees to coach his former high school basketball team.
Candyman's Use of Historical Black Puppetry as Narrative Device
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Asian Horror From 10 Countries You Need To See Before Halloween
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.