“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Two men meet in the middle of a natural disaster. Both stuck in debris, they talk about their lives, while they are delirious and waiting to be rescued. Based on the tragic landslide in Chile, 1993, this short film reflects on the ordinary human condition.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
This fantasy musical movie is an origin story about the title character.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.