'One Missed Call': When an Onryō Goes Digital
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
Two Heart
In the children’s ward, there are children whose last opportunity is organ transplantation. Even when they say that dying is only a wish, they build affectionate friendships without losing their smiles. Fathers of these two children fight desperately to save them, and they face only one last choice…
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In the children’s ward, there are children whose last opportunity is organ transplantation. Even when they say that dying is only a wish, they build affectionate friendships without losing their smiles. Fathers of these two children fight desperately to save them, and they face only one last choice…
Rating:
Genre:Comedy, Family, Drama
Written By:Jeong Yu-sin
In Theaters:
Box Office:
Runtime:106 minutes
Studio:Mirovision, Studio Santa Claus Entertainment
Articles You May Like
Coming of Age with Butterflies and Timeliness | Incluvie Movie Highlights Podcast
The May Incluvie Movie Highlights features 3 fantastic coming-of-age films. We explore butterfly-inducing Sneakerella and Crush, and the sadly timely feature - The Fallout, about the after-effects of a school shooting.
Tonight is 'The Curse of Bridge Hollow'
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
The Prince of Egypt: An Underrated Gem
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.