Two Evil Eyes (1991)

This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.

What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.

The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end

Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'