Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Paul Miller has struggled as an actor in Hollywood for years, and now he's had enough. But not just of show business-of life. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronicle his last moments and the events leading up to them; it's the role of a lifetime. Often ironic and darkly comical, this is the story of a man searching for meaning and hope. This is the story of two days in the life of Paul Miller. The only question is, will they be his last?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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