Ivy and Bean form a new Friendship
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.

Inside a socio-educational detention unit, five youths in conflict with the law plan their own film as a way to find meaning in their time behind bars. Through a hybrid process that blends documentary and fiction, TWENTY TWENTY FOUR dissolves the reality of juvenile crime and confinement into a sensory experience—exploring rebellion, boredom, and traces of tenderness within a space defined by abandonment.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.