Finding Happily Ever After in Disney's 'Disenchanted'
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Twenty-Four Eyes
TV adaptation of the novel "Twenty-Four Eyes", combining animation with a few live-action scenes.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
TV adaptation of the novel "Twenty-Four Eyes", combining animation with a few live-action scenes.
Rating:
Genre:Animation, Drama
Written By:Sumie Tanaka
In Theaters:
Box Office:
Runtime:73 minutes
Studio:Tokyo Movie Shinsha, Fuji Television Network
Cast
Shigetsugu Yoshida, Akio Jissoji
Director
Chieko Baisho
Hisako Ōishi (voice)
Ako Asano
Kotsuru Kabe (voice)
Atsuko Takahata
Sanae Yamishi (voice)
Keiko Toda
Masuno Kagawa (voice)
Mari Okamoto
Misako Nishiguchi (voice)
Tamae Shiraishi
Matsue Kawamoto (voice)
Tomoko Naraoka
Narrator (voice)
Kiyotaka Mitsugi
Sonki (voice)
Articles You May Like
In the Long Run, the Answer To COVID Hangover.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
‘Sexy Beasts’ is Counterintuitive.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
‘The Miseducation of Cameron Post’ Validates Damage of Mental and Emotional Abuse
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
‘The Devil All The Time’ is Gritty and Bleak
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.