
A once thriving reception hall has been reduced to catering to the funeral business and the somber rituals of death. The owner, Soleimani, is a sour, lonely and unloved old man who treats his workers with contempt, inflicting small cruelties whenever possible. Embittered and seeing a psychologist, he decides he will close the business in twenty days, sending his staff, already fighting just to get by, into a state of fear and uncertainty. Like a close-knit family, the staff members endure their daily suffering together. These good-hearted people include an ostracized young widow trying to survive with her daughter; a chef with a paralyzed arm who has a demanding wife; and two young men, working but homeless, who must sleep in the company's truck. Despite Soleimani's indifference to their plight, the people on his staff have retained their hope and humanity. As the threat of closure nears, they work together to save the hall and at the same time attend to each others' emotional needs.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.