Takeaways on Cutaways
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

The catastrophic eruption of the Chichonal volcano in 1982 triggered a process of territorial displacement, loss of language and the dispersion of knowledge of the Zoque cosmogony. The film links the process of reconstruction and fighting of the Esquipulas Guayabal community--located 5 kilometers from the crater of the volcano--with the complex cosmogony of volcanic regions. This collaboration between two visual artists and a Zoque poet from Guayabal community, seeks to trigger a process of sensory ethnography and audiovisual experimentation, that manifest the strong relationship between the historical process of the community life and the volcano activity that has increased recently. The historical link between humans and volcanoes acquires a visual-cinematographic form of territorial redefinition and renewal of volcanic imaginaries, leaving aside the melancholy of what has been lost. The film embodies the genesis of a new way of living and conceiving the volcano.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.