'Life & Beth' and 'Sort Of' - Two New Series Bravely Lose The Labels
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.

Germany in 2020: the state social security systems have been dissolved and will be regulated purely by the private sector from now on. The insurance group TRUST.Wohltat is at the forefront. Well-heeled customers take out pension contracts by buying a "genetically clean" person - a so-called talent - and having them work for TRUST.Wohltat for a good return. 28-year-old Luca Permann is one such talent. His owners order a child from the company - bred from Luca's genetic material. They choose Hannah Bitlik, a young, genetically clean woman, as the surrogate mother. When Luca is confronted with the fact that, contrary to all expectations, he has a genetic defect, he begins to doubt himself for the first time. The child is to be aborted, but Hannah refuses and breaks off contact with TRUST.Wohltat...
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.