'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.

Peter Thiel. David Sacks. Elon Musk. Mark Zuckerberg. Jeff Bezos. These tech titans have pledged their loyalty to President Trump. But what do they really believe and what do they stand to gain? This unfiltered portrait, revealed by insiders, shows where American democracy is heading and how this handful of tech billionaires accumulated such unprecedented power and influence.
A dynamic journey of self-acceptance and identity.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.