Paul Taylor, a young, troubled executive, finds himself the victim of a home intruder; a mysterious man seeking solace from the streets. Unable to escape, the young man's panic turns to curiosity, as he becomes transfixed by the stranger's elaborate web of tales. His interest soon turns to fear, as the stranger begins to open up a psychological door to the young man's past; a dark past that connects the two men, and must finally be confronted before more damage is done.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
