It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

An action drama that depicts the history of the fierce gang conflicts of the Higashi-gumi—renowned nationwide as an ultra–combat-oriented syndicate—brought to life with a star-studded cast including Hakuryu and Hideo Nakano. In the brutal battleground of Osaka, the Higashi-gumi managed to remain independent and avoid submission to any larger syndicate. Their survival was owed entirely to the overwhelming charisma of the boss and his younger brother. Set in Nishinari—known as the “Mecca of Osaka’s yakuza”—this true-crime yakuza epic portrays the rise of the ultra-combat-oriented Higashi-gumi, a syndicate that maintained its independence without ever bowing to any major organization. With overwhelming charisma, the Higashi-gumi boss, Higashi Kiyoshi, and his younger brother Isamu carve out their own dominant presence in Osaka through their extreme, unapologetic brutality.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.