
Truckers, the first of Terry Pratchett's novels to be adapted for TV brings to life the story of the Nomes. 15000 years ago the Nomes crashed to Earth in a scout ship from the starship Swan. Generations of them have come and gone with the passing years and the changing countryside. Suddenly faced with extinction, the ten surviving Nomes, guided by their reluctant leader Masklin, must face many exciting adventures during their search for a new home and hiding place in the big, bad world of the humans.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.