Young pilot Branson recently takes over Skylette, his father's aviation empire, only to realise his old flames Cassie is a flight attendant there. Several years ago, he was forced to break up with her and move to New York to take care of his father's business. To this day, the two continue to harbour feelings for each other but decide to keep them bottled up. In an effort to rebrand the airline, Branson invites rock idol TM to star in an upcoming commercial and appoints Sam as her flying consultant. In congruent in both tastes and experience, this odd couple gets off on the wrong foot. As the shoot progresses, however, they slowly discover each other's merits, developing a strong mutual attraction. Jayden has left Skylette Airline to become a pilot for private jets. He meets the young and vivacious Kika during a flight and assumes her to be wayward and shallow...
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
