Tristán is navigating his teenage years in an exceptional way: navigating his gender transition alongside his mum Virginia, his friends, his school and the Argentine State, whilst discovering his passion for drawing. But when the pressures of adulthood begin to mount and a shift in the political landscape threatens his rights, he is faced with a question: is it possible to be trans without suffering so much?
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
