
Three videotaped tales of murder and treachery! “Doublecross XX” finds a spoiled little rich girl (Clancey McCauley) planning her own kidnapping. But her scheme goes awry when her stepmother (Launa Kane) learns of the plot and puts her own plan into action, leading to tragic consequences for both women. In “The Bank Heist” a newly appointed bank manager (Michelle Caporaletti) finds herself at the mercy of a sadistic bank robber (Shelley Deuber). Unless she talks, she'll die horribly! She's left bound and gagged in a car that's quickly filling with deadly carbon monoxide! And in “The Intruder” a beautiful woman (Caporaletti again) is stalked by a rapist (David Shore) and then held captive by her attacker until he's ready to act!
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
A thief and street dog named Roger has to work with other pets to take down the evil Mayor Frank Stone when he plans to destroy Robo City.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.