Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

A widowed professor forms an unconventional bond with a robotic doll, while a different woman navigates the complexities of an abusive marriage. Parallely, a relentless quest for motherhood drives another woman to extraordinary lengths.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.