Why 'Ambulance' is the Best Blockbuster to See this Year
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.

Trieste-Thessaloniki is a journey undertaken by a father and son through the Balkans in a camper van. The father is returning after 25 years to places he covered as a journalist during the war in ex-Yugoslavia. He is accompanied by his son, who is filming the experience. Along the way, marks left by those events endure to the present day in this frontier region between the East and the West, a region where now we find new refugees trying to reach Europe, fleeing from the same old conflicts.
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Korean culture shines in this Canadian export.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.