Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
