"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.