‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.