Based on the tragedy that Mexico City suffered after the 1985 earthquake , praising and thanking the efforts of locals and foreigners in helping to rescue the living and the dead from the rubble.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
