Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

The two war-photographers Chris and Samuel are stuck in the transit area of an international airport. Long time they have worked as a team, not only as professional photographers who risk their life for journalism. They are also close friends, depending on each other. All that is about to break apart, when Samuel confesses that he won't go back to war anymore. Chris not only loses his partner, he is about to loose his friend.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
American Fiction is a genuinely entertaining film with a few lessons.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.