Trancers (1985)

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Omaha reminds us of what it can feel like to look at old family photographs.  You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it. 

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

It’s a cool looking Marvel character right off the page!  He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.