The 6 Queer Short Films at Sundance 2026
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.

A hard working salaryman takes off five days from his busy job and sets off with his wife and two children to visit his parents in his hometown for the 1991 new year holidays. He decides that they will go by car to save on expenses. Unfortunately, the long drive from Tokyo to his hometown becomes a much longer journey than expected due to traffic, sickness and other misfortunes and by the time they arrive three days later, they only have time for a short but happy visit.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.