‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

Tracy Beaker's 13th birthday and as a suprise Cam wants to foster Tracy again. Tracy is delighted. An unexpected visitor turns up at the Dumping Ground, Tracy's real mum.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.