‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
Sam Levinson's latest film can't keep up with the excellence of its performances.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.