France, the beginning of the XIV century. Every night, Queen Margaret of Burgundy and her two sisters arrange orgies, to which beautiful nobles are invited. The young men were brought blindfolded, and after a night of love they were killed and their corpses thrown into the river, because the queen was afraid that her husband would learn about her adventures. One of her lovers managed to escape death. He knows the secrets of the queen, knows that she once gave birth to a son from him, claims that he has evidence that Margarita wanted to kill her father and blackmails her.
Abel Gance
Director
Silvana Pampanini
Marguerite de Bourgogne
Pierre Brasseur
Jehan Buridan
Paul Guers
Gauthier d'Aunay
Jacques Toja
Philippe d'Aunay
Constant Rémy
Landry
Michel Etcheverry
Enguerrand de Marigny
Michel Bouquet
Louis X
Cristina Grado
Princesse Jeanne
Lia Di Leo
Princesse Blanche
Marcel Raine
Orsini
Claude Sylvain
la servante de l'auberge
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Sam Levinson's latest film can't keep up with the excellence of its performances.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.