Samantha Mitchell’s “RSVP” : Incluvie Film Fest
“There’s always something you can do…to make people feel like they’re welcome”

Adapted from Franco Scaldati's play, the movie transposes the story of Totò and Vicé from the theatrical representations to urban scenes. Totò and Vicé are timeless creatures, bewildered and misplaced, that roam about Palermo, marooned and empty; an urban journey and waking life between memories and dreams in one magic night. Out from a timeless cave, their story of sanctification crosses the suburbs, reaches the city and it's bowels, showing the real settings of Scaldati's writing and cosmogony.
“There’s always something you can do…to make people feel like they’re welcome”
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.