Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Too Much Sun poster

Too Much Sun (1991)

A multimillionaire, whose son is gay and daughter a lesbian, leaves a will with one clause: His children will inherit his money only if at least one of them produces him a grandchild within a year of his death.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A multimillionaire, whose son is gay and daughter a lesbian, leaves a will with one clause: His children will inherit his money only if at least one of them produces him a grandchild within a year of his death.

Rating:R
Genre:Comedy
Directed By:Robert Downey Sr.
Written By:Robert Downey Sr., Laura Ernst, Al Schwartz
In Theaters:1/25/1991
Box Office:

Runtime:97 minutes
Studio:CineTel Films

Articles You May Like


Nope! 1Up, Don't Make Me Go, Mr Malcolm's List | Incluvie Movie Highlights Podcast

The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!

Hazel Bolivar

"Him" - All Flash, No Game

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Nilufer Ozmekik