Too Black for TV 

The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.

Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.

Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

It’s a cool looking Marvel character right off the page!  He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.