The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Young Alice Mason wishes to start a family, but because her own has been deemed "defective" by the state health authorities—her parents are lazy alcoholics who continue breeding, and her siblings are disabled, have mental problems or are imprisoned—she is ordered by a court to undergo sterilization so that her family's "defective genes" won't be passed on to any further. Her boyfriend Jim and a kindly priest search desperately for a way to stop the forced surgery before it's too late.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.